HECHIZOSPELLS
MARCH 10, 1971
otra vez el penco al
estable, back to the calles
y locuras that
hide smirkingly within
e.p.t. twilights,
dreaming míctla dreams
Homing*
homing, ese, amidst
old/known faces,
with familia embraces
and love/kisses
flooding each moment
of re-encounter,
la jefita hovering
over her returned children,
carnalas, sobrinos/sobrinas,
suegros, todo el tribu
estrechando bienllegadas;
cruising over to pete duarte's,
chacha marín rapping on the way,
passing familiar sights,
seeing el índio on the streets
walking toward his sense of nirvana,
el hippie flirting with life,
melo curbing on the edge
of his botella,
nina, rosie, rojas, géra,
lupe, lalo, and new faces
within chuco movimiento,
y el borracho tirando tórica bruta-es algo
rete sabroso being back, rapping with gardéa, siqueiros,
tony parra, pat,
and host of raza
about building up
míctla publications
to thus change
the horrid imagery
that has ever haunted us;
homing, batos, homing
into the nether world
of causa y sangre y corazón,
and even the caustic words
of lozito (el parole officer)
cannot mar
the happiness
of being back
in this city of callejas y rincones,
of pobreza y raza y duelos...
homing once again
as i cruise my renault r-10
over the crumbling ruins
of el Diablo, that land of DDT batos
who used to slice up life and hope
with filero and herre,
shooting up carga/chiva/dreams
into blueridged veins
hiding beneath la grasa of brown flesh,
finding sanctuary
within the topor,
but life is hell
within poverty & self-hate,
homing as i see skeletal remains
of that home that saw me grow
at 3920 Oak, later avenida de las américas,
and now just a dead hulk
where only voices of the past
can find refuge
if you listen closely-and carnal,
i think even la Ilorona
used to live in el diablo,
over by the algodonales del ayer,
there by the river as it cuts/flows
through sand and cactus,
when we used to slip over or under the fence
surrounding Isla de Córdova, that chunk of land
that méxico used to own, now traded in
as part of the chamizal pact,
and at those ranchitos
where we would trip out on mota/yesca/grifa
and dance
all night
to música rete chicana/mexicana y bien rascuache,
or when even younger
we used to slip through the fence
and rip off watermelons, cantaloupes, and chavalas
and the old rancheritos
would threaten us with rusty/dysfunctional shotguns spraying birdshot overhead,
and we would laugh
with childhood's mirth,
in that barrio del eastside
where i learned
to rub up against willing girls
who wanted to rub up against us
and Doña Chuyita
would run after us,
throwing bricks/rocks-anything she could-
at us and dare us to stop, and we never did,
just shouted at her, and later she would
grab me with her brown/wrinkled tarahumara hands
and between the dark stained bits of teeth
within her 108 year old mouth admonish me
that if she were a few years younger, why,
hell, bato, she would marry me and make
a man out of me, then she would laugh
and tell me to scoot home,
and i would, looking back
at that old/furrowed woman,
índia-patarajada from the mountains
of chihuahua
who still chopped wood and ran
through the alleys of my barrio,
barefooted with a red kerchief
tied around her left ankle,
for strength in running she would say,
and galavanted about,
Doña Jesusita, Chuyita: Doña Chúris,
and we loved her
in our pranksterway,
especially when she would sit us down
and regale us with stories
of life in those mountains
when there existed no cars,
just burros and tired people
who knew how to dance and sing
and live off the land,
her face was rivuletted
with time and her eyes
were hawklike and strong,
the folds of skin
on her arms
were skeins of brown earth;
once she caught me smoking,
i was fifteen or so, and she
asked me if my father, Don Pedrito
approved and I said maybe, puede que sí,
and i offered her a cigarette,
she smiled and said that i could not buy
her silence, that here before the sky
i would have to know
that her bosom was not a warehouse
where secrets could be stored,
but then seeing my youthful fears
she told me not to worry
for things done in the open are not secrets.
that barrio
now dead and full of shards,
i found a rusty empty can of Mitchell's Beer,
a relic of those times
almost twenty years before
when Mitchell's had reigned
and all the barrio had drunk it,
I found it beside the crumbling wall
of that home my father had painstakingly built
when I had been a four year old toddler,
back then when we had lived
in a one room home
that grew into other rooms
with timely expansions by my father;
i saw remains
of cinderblock fences
where my brothers, Sefy and Pete,
would strum guitars and sing,
and they would tell me
to go inside that it was late,
and in my eight year old world
they seemed big,
for a five and six year span
can mean a totally different world,
and years later
would I come home on leave
to bury them
and cry softly
for the remembrances
culling loneliness in mind/soul;
home again to el paso,
but no longer to my barrio,
but to alien worlds
which had been home
for rivals when I had been tush-hogging
with the X-9 batos,
riding herd on other barrios,
no longer
encaged within the mind searing stench
of Disneyland or the coliseum at rodeo time,
no, seeing
through tears of recollection
a barrio dead, gone into time's
shards with juareños searching through the rubble
for still useful things,
bricks, boards, iron grill work,
any goddamn thing that can be marketed
in los serajeros in south juárez,
at that enclave of junk yards,
and seeing them take that
still remaining doorframe
from what used to be the doorway to our kitchen
cut my soul
and severed forever
my linkage to my barrio,
and I felt bloody anger
coursing through my mind;
turned, scowling,
to see a superfreeway
being built
to make it easier for tourists
to make it to juárez bistros and whorehouses,
realized
that barrios must make way for progress,
and as i left,
to file another parole report,
heard soft voices of the past....
*also appeared in LOVES OF RICARDO
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